Friday, February 10, 2017

What is a Valentine's Day weekend without a murder mystery


Friday night is falling on Memphis, soon time for classic R&B then Funk/Jazz fusion, with rye whiskey along the way... And what is a Valentine's Day weekend without a poetic Peter Gunn-esque murder mystery... :-)
 
 
Rhyme on Rye No. 23

“As gun-smoked films noir, and hate-stoked dames are
The unexpected usually, unsuspected presumably starred
In spars and schemes bizarre, to mar, scar, for all to see
O her revenge cold, as barren wold or endless cruel seas”

Rhyme on Rye No. 27

“Whiskey douses whole; love’s affairs, later life’s wares
Staring fraught, dreaming lost, such insistence for despair
Fairest not the ego, darkest the soul ergo, forever 3:00 AM
Suspending in goddamn ends, while pretending to begin”

Rhyme on Rye No. 30

“Adrenaline’s mind-fuck, within bars’ muck and swap
Prating malaprops, inflating luck, amid vomit mopped
Aft tricks nonstop, such belated drops; blood and tears
Fitly, propensities’ mud in humanity’s coils and gears”
 
 
Note:
Rhymes from the collection The MEMPHIS NIGHTCLUB MURDERS & Other Poetic Mysteries, to be published and available in 2 or 3 weeks. For all books see link.

www.DCQuillanStone.com

One Hundred Years, a poem from my 7th book

Poem taken from my 7th book The THIRD FALL of RACE BROOK - A Poetic Novel & Poems for J... At the time, a related song by the band La Quinta Estación featuring now soloist Natalia Jiménez (see YouTube link)...

ONE HUNDRED YEARS
20 September 2012

O thy poems supine thus the writhes
For then laze in our passionate maze
Stay instead on bed lustfully moored
In chamber staid, lovingly adorned
For a year and a hundred more

O thy roams align on satin sashays
Entangled arrays as mangled designs
No depravity inner our epical avidity
Such gravity, the stains, once forlorn
For a year and a hundred more
 
O the loam humid that forms fervid
The furrows per morn then morrows
Widening strides o’er thy full gems
Betwixt the thighs, upon the skin
To thine, a year and a hundred more

O all passionate strings taut within
Symphonies wrung as we commence
To manumit our souls to lucidly pair
Else to wit, akin brave, fair paramours
So the years in a hundred or more

O our rhythms same to lines of rimes
Tattoos into flesh by tines with hues
Wings of blues along turquoise tones
Breath hones breasts by Love reborn
Long in chamber-bed on wintry hour…

For a year and a hundred more

Thursday, February 2, 2017

Harlem Renaissance poet Angelina Weld Grimké (1880-1958)

It is my opinion the HARLEM RENAISSANCE era of 1920s was like no other, with shared characteristics as well. Consequently, the era was influenced of course by the previous French Bohemian and Paulista (São Paulo) Concrete eras. By combining their higher education and unique struggles with these influences (among others), they made the arts their own, and by so doing, influenced subsequent eras like the pre-Beat/Beat poets.
 
As one of many examples of the HARLEM RENAISSANCE era, there is the beautiful lady and poet Angelina Weld Grimké (1880-1958)...
 
 
THE BLACK FINGER, by A.W.G.

I have just seen a beautiful thing
Slim and still,
Against a gold, gold sky,
A straight cypress,
Sensitive
Exquisite,

A black finger
 

EL BESO, by A.W.G.

Twilight—and you
Quiet—the stars;
Snare of the shine of your teeth,
Your provocative laughter,
The gloom of your hair;
Lure of you, eye and lip;
Yearning, yearning,
Languor, surrender;
Your mouth,
And madness, madness,
Tremulous, breathless, flaming,
The space of a sigh;
Then awakening—remembrance,
Pain, regret—your sobbing;
And again, quiet—the stars,
Twilight—and you.


THE EYES OF MY REGRET, by A.W.G.

Always at dusk, the same tearless experience,
The same dragging of feet up the same well-worn path
To the same well-worn rock;
The same crimson or gold dropping away of the sun
The same tints, – rose, saffron, violet, lavender, grey
Meeting, mingling, mixing mistily;
Before me the same blue black cedar rising jaggedly to
a point;





Wednesday, February 1, 2017

Mysteries as Love’s Epistles

Poem taken from the book THE MEMPHIS NIGHTCLUB MURDERS & Other Poetic Mysteries, now published to be released in paperback, hardbound and ebook towards end of this month...


Mysteries as Love’s Epistles

~ A Poetic Perambulation ~

From sunlit porticos, upon ivied columns along corridors
Twinges pitch hence pang, at pith and pit of inner core
Flesh twain, apart, the distancing bane, liken fleeing harts
Per hunt, such harm by hubris, with this, Ego’s abstract art

Beneath cool archways and arbors, hanging so voluptuous
Blooms of petals dewed, swelled skins of fruit sensuous
Timid as tumid, lust slows then grows, as passions insist
Twitching the lips, twisting the tongues, until pair by tryst

Hesitant she as desirous, impressions still as indecisions
Reluctant he as delirious by abstractions, her divinations
Or by intoxications, he dreams in trance mid funeral pyres
With tambourine she dances, as gypsies `round ritual fires

Stung then the lies, alas foregone shit stings like thistles
Forget they must, to trust the mysteries as Love’s epistles
Low the tears, hard as rain, from cheek to breasts the mist
Stained shirt, strained skirt by four hands vised as one fist

Pressed till wrested, palms to palms, fingers form coitus
Side by side, thigh feels thigh, sighs until cries arduous
Night falls like Turin shroud, as one hundred candles burn
Akin to moths, they flit and flutter o’er hurts, each in turn

O to learn from past spurns, withal, hearts always callow
Within fervor’s fury, Passion smolders as cloth in tallow
Beguiled, wiled, maybe a bit maudlin (often lovers’ coffin)
Such uncoiling as mortals collide, an erotic storm therein

Singed wings by old flings, or some other goddamn thing
Wounds to scars, hang far into mind, on sullied brass rings
Liken black-lighted rooms, archetypal galleries of Self-art
Jungian pelf on psychotic carts, pile high as none departs

No one imparts dissimilar, for bent as this is quite familiar
Mortals’ birthright, Strife (oft miswritten as Life), millers
As such, and much if not all, burns as fire, as well warms
Ill, fraught, still sought, some reason amid passion’s norms

Two souls stumble and struggle, past the doors and closets
Down Fear’s hall, groping mid walls scrawled with posits
Harshest of truths, rarely sleuthed, either animus or anima
Keener incubus, or inner vox humana as morning’s manna

Ergo subtle nuances, so it goes, snakes in pile, calm or riled
Good portends, while Evil pretends, as sanity slips into exile
To Patmos isle, upon insanity’s bile, to flirt in foolish mirth
Misanthropes de trop or not, tho’ hoping of one logical firth

Oh Love rebirths, seemingly recherché among worldly frays
Swirling displays; corpses rigor-ed, souls cold, hearts filleted
As well minds abysmal, yea, the warmth by fervid baptismal
Regardless the chances dismal, or tenacious choices chrismal

Onerous to bedchamber, beyond last tread and rise, thus run
By Godspeed, hand o’er foot, sweat on brow, neither outdone
Alas cursed by sad verse, John Donne’s madness his sorrow
Anguish'd, not that 'twas sin, but that 'twas she, a fervid woe

Twin in throes, thrust into lustful trust, their melding flesh
As continents clash, or welding of steel, white hot the mesh
Paramours threshing out the Love, without doubt or pause
Hesitation now epicurean determination, their shared cause

To floor the vase shatters, water splatters and roses scatter
Prurient the groans swore, more variant the moans blather
Dethroned then devoured, Pride as well the whore Despair
A sudden Diaspora, by Love diademed and Passion the heir

Brawn, sinew, muscle and tendon, desires flex then stretch
Unto four corners ‘low canopy’s lace, each sniff and scratch
Along nape and back, wet and etch anew, as bloody tattoos
Entwined or strewn upon the satin, flooding senses of two

Skewed their sprawled dimensions, queued the raw tension
Lewd within Love’s lexicon, tongues’ unknown expressions
Mouths uttering low, lips stuttering slow at midlands’ gist
Kissed the hushes, `tween the rushes, as agog gushes insist

Resist not did they, dyad to plait, anon unbraided to repeat
Oft encircling, akin Greco grapplers in Romanesque heat
By arabesque feats, thus eiderdown tossed, flesh glossed
Sheets moist as shaded moss, ah the choice to rid the dross

To passionately joust no further, as lust wanes to cincture
So to pine (unlike Young Werther, lacking bane’s venture)
While both souls longingly smolder, their censers by vesper
Unfettered festering, skin on skin, `low night air’s whispers

From sunlit porticos, upon ivied columns along tomorrows
Twinges pitch hence pang, at pith and pit by forth-sorrows
Yet to love once, twice, thrice else ceaselessly, heedlessly
Of all others’ druthers or mutters, two utter adrift virtuously

Graced by thirty winters she, faced dilemmas odd by threes
Or singly so, third worst among throes, a cancerous decree
Thou cruel Dancer, well versed in Womb’s ascetic suffering
More, Tomb’s poetic suffrage, futile the swain’s thwarting

Erstwhile, the swan’s hoarding, raw secrets mid romances
Chance upon advances, time aft’ time aft’ fuckin’ chances
Wronged by illiterate flirts, withdrawn per itinerant hurts
Intended or not, pretended her lot, along tearstained shirts

He by solitude in surplus, she of dawn till dusk, imminent
Independently sufficient, although, separately reminiscent
One dried burnt-sienna rose, espoused `twixt sacred breasts
Laid by poet fraught, yet orbs heave not at Death’s behest

Sonnets with arias, so plummet from summits sabbatical
Canticles fanatical, equally, odes unfold in woes viatical
Devils as wolves, lurk in his literature, then empty pitcher
Love pours, from bottle mid lips to floor, as poetic stricture

Breath faltered as Life slipped, his hand she ceased to grip
“The stars…to be one” eclipsed by lisp, from her pale lips
To replay again and again, as sand spills, grain by grain
Between fingers, memories linger, pain damns then reigns

By ashes she fell, o’er upper Appalachia, to the lower dells
He dashes and scales, five cataracts, veils to slower swells
Per swirling facts in hurling pell-mell, a disturbing motion
Rekindling emotion, reviving a devotion for their locutions

Mêlées lyrical, sways literal, as one ancient, poetical soul
Rarely so, possessing two modern minds in untold strolls
Within images stirred, by words, metaphors or apologues
An endless epic, dialogue without prologue, nor epilogue

In fist tightly, per fits nightly, a tarnished, bloodied crucifix
Whispers bleed from lips, as oaths of gods o’er river Styx
Transfixed betwixt, between two ends, the insisting mean
Persisting mode, poetry flows, in crowded solitude unseen

Ah the passions prolonged, by every zephyr brushing hands
Like her breath then, hot on flesh, as shadows in hinterland
Form in brain, upon each rain, shedding she the shroud wet
In silence he loudly vets, as often Love hauntingly begets


front cover                           back cover


Copyright © 2017 by D.C. Quillan Stone

Monday, January 16, 2017

A few quotes by Martin Luther King Jr (1929-1968)

A few quotes by Martin Luther King Jr (1929-1968), followed by my notes...

"Nonviolence is a powerful and just weapon, which cuts without wounding and ennobles the man who wields it. It is a sword that heals."

Note:
This country has returned to the use of hate, even when opposing hate, as well violence, for expediency's sake of course, as violence so is inescapably charisteristic.

"The time is always right to do what is right."

Note:
And there lies the lack, for most do not act per what "is" right, rather what "feels" right or merely what is whimsically "preferrable", often, what is coveteously "desirable".


"Peace is not merely a distant goal that we seek, but a means by which we arrive at that goal... If you will read Mein Kampf closely enough, you will discover that Hitler contended that everything he did in Germany was for peace. And the leaders of the world today talk eloquently about peace. Every time we drop our bombs in North Vietnam, President Johnson talks eloquently about peace. What is the problem? They are talking about peace as a distant goal, as an end we seek, but one day we must come to see that peace is not merely a distant goal we seek, but that it is a means by which we arrive at that goal. We must pursue peaceful ends through peaceful means. All of this is saying that, in the final analysis, means and ends must cohere because the end is preexistent in the means, and ultimately destructive means cannot bring about constructive ends."

Note:
Is it not interesting how Hitler's ambitions for peace were likened to President Johnson's objective(s) during the Vietnam War. Could the war efforts and goals of Presidents Bush and Obama be similarly compared. I think so, rather, I know so!

"The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy."

Note:
Truly, I know of no other man who stood as courageous while nonviolent.

Come let us Reason. Peace is always a Choice.
 

Monday, January 2, 2017

Books by D.C. Quillan Stone

Manuscript for The MEMPHIS NIGHTCLUB MURDERS & Other Poetic Mysteries submitted to publisher (iuniverse.com), thus hardbound, paperback and ebook available later this month or early February by various online retailers (barnesandnoble.comamazon.combooksamillion.com, etc) and limited brick-n-mortar outlets...


front cover                           back cover


For other books by D.C. Quillan Stone...

      

Note:
Both books (above) published May 2015. Click on covers to preview/purchase.

            

Note:
Three books (above) published Jan 2007, Mar 2009 and Nov 2011 respectively. Click on covers to preview/purchase.


            

Note:
Three books (above) published Dec 2001, Oct 2003 and Sep 2005 respectively. Click on covers to preview/purchase.

   

Tuesday, December 20, 2016

The MEMPHIS NIGHTCLUB MURDERS, manuscript submitted to publisher

Manuscript submitted to publisher, thus hardbound, paperback and ebook available mid January 2017. For other books, see link...

front cover                           back cover